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- #How to do dissolves on color finale pro manual#
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- #How to do dissolves on color finale pro pro#
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You should already see some big changes in your footage after correcting the exposure levels. If you do this, you’ll need to fine-tune the Highlights and Shadows when you’re done. You can adjust the Midtones or Master levels in the Color Inspector to your liking. Finally, look at your image and decide if you’d prefer it lighter or darker.Now do the same with the Highlights control, trying to bring the highest points of your Luma Waveform just below 100.The goal is to bring the lowest points in the Luma Waveform just above 0.Turn your attention to the Luma Waveform on the left side of the screen. First, you’ll be adjusting the Shadows control in the Color Inspector.In your Color Inspector, choose the Exposure tab.Choose the clip you’d like to correct in the Timeline and move the playhead to an appropriate position.Using the Luma Vectorscope, you can easily visualize the light levels in your image and adjust them accordingly. If the video scopes in the top left of your interface are too small, drag down the border above the timeline to expand those interfaces.Įxposure is the first step in color correction, and it also results in the most pronounced improvement in your footage’s quality.In the Inspector, press the Color Inspector icon to bring up the color controls.On the top menu bar, navigate to Window > Workspaces > Color & Effects.Open or create your Project and Event and add your footage to the timeline.The Inspector, Color Boards, and Video Scopes can all be opened easily with the Color & Effects Workspace preset.
#How to do dissolves on color finale pro pro#
Step 1: Prepare Final Cut Pro for Color Correction Workflowįinal Cut Pro X comes loaded with all the tools you’ll need to achieve industry-standard color correction without any additional software.
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Seeing your camera footage improve through color correction is also very gratifying. Once you get the hang of the workflow, you’ll be able to color correct any camera angle in just a couple of minutes. Manually color correcting footage is an advanced skill, but still fairly intuitive.
#How to do dissolves on color finale pro manual#
Part 2: Manual Color Correction in Final Cut Pro X Distance from the center indicates a color’s saturation level.
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The Vectorscope comes with a helpful “Skin Tone Indicator” which can be used to adjust color balance if your subject’s skin color looks a bit off.Ībove is the Vectorscope, which outlines all of your image’s color values across the color wheel.
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#How to do dissolves on color finale pro free#
If you’re already familiar with Hue, Saturation, and Luma, as well as the Waveform, RGB Overlay, and Vectorscope, then feel free to skip this section and head on over to part two. Before diving into Final Cut Pro X’s color correction workflow, you may want to review the basic concepts of color correction.